10 Final Boys We Like
Final Boys are never going to be as awesome as Final Girls, hence we don’t love them like we love Final Girls. But these guys did quite well with the job at hand…
Alex Browning (Devon Sawa)
Final Destination (2000)
High school inbetweener Alex is thrust into the shoes of Final Boy-dom when he has an out-of-the-blue premonition the flight he and his French Club will explode minutes after takeoff. Saving himself and six others doesn’t make him the hero, but instead, as he puts it “everyone in my school thinks I’m a freak.”
Perhaps not being a straight-up slasher film is what allows three of the five Final Destination films to work with a male lead. Sawa’s Average Joe is appealing because of the way he teeters between both social groups and his own sanity.
Billy (Peter Billingsley)
Death Valley (1982)
Just as Danielle Harris would become the pre-teen final girl in the later Halloween sequels, little Milky Bar kid Peter Billingsley was the unlikely hero of strange way-out-west slasher flick Death Valley, when a family vacation is foiled by him literally meandering into a murder scene, finding a trinket the killer wants, and finding himself stalked by said loon in pursuit of it.
Billingsley was already an accomplished child actor by the time he was in this (and also older than he looked) and so isn’t cursed by overacting and, even better, lacks the brattiness usually on show when kids are front and center.
Jesse Walsh (Mark Patton)
A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985)
Jesse’s family move into 1428 Elm Street five years after Nancy Thompson lived there and he soon finds his dreams invaded by Freddy, who wants to possess him and turn him into an agent of death.
Freddy’s Revenge could well be the most analysed slasher film of the 80s, and Jesse is commonly seen as a repressed gay, whose body Freddy wants, and only a kiss from a girl can save him etc… If you watch the awesome documentary Never Sleep Again, Mark Patton is a little embarrassed by his performance but, if nothing else, at least they tried something new rather than just retread the original film, and he’s an important part of that, thus fully deserving his place here.
Alfred (Brian Backer)
The Burning (1981)
Included more out of relevance than respect, Alfred was possibly the first final boy in a big screen slasher. At Camp Stonewater, he’s the nerdy misfit, who spies on girls while they shower, plays weird pranks, and whines a lot. He’s also the only one to suspect someone is prowling around the peripheries of the camp. Naturally, nobody believes him until he finds a couple of dead bodies and proves it.
The Burning is already quite a misogynistic outing before shoving aside the notion of a final girl and putting Alfred into the role instead. He’s essentially saved by the hunky male counsellor, as would a girl in the same situation it seems, meaning his gender is far more incidental as he adds nothing that a girl wouldn’t. None of this is the fault of Backer, however, who put in a great performance as Mark Ratner in Fast Times at Ridgemont High.
Alex Grey (Tim Conlon)
Prom Night III: The Last Kiss (1989)
Another Alex and quite similar to his Final Destination namesake. This Alex, a sub-Ferris Bueller type in both looks and attitude, has a hot girlfriend but no direction until he somehow becomes the boy toy of undead Prom Queen from hell Mary Lou Maloney. For a while, she improves his social standing no end, but once a hell bitch, always a hell bitch…
Prom Night III‘s comic-horror baseline works well for Conlon’s likable schtick as the put-upon hero: He’s witty and funny, being pulled in two directions, one by an angel, the other by the devil.
Eddie (Dylan Fergus)
The ‘first gay slasher film’ featured a masked muscle man scything gay chaps around West Hollywood during Halloween night celebrations, when everyone is in costume and a hot guy in nothing but tight pants and a horned mask won’t rouse suspicion.
At the center of the mania is civilian police employee Eddie, who just wants a decent night out with his friends, all of whom soon start falling victim to the loon. Usual hetero conventions are simply flipped in this case, and Eddie runs and hides with veritable Jamie Lee gusto, saved at one point by the virtue of having a false eye!
Paul Hammersmith (Ryan Corr)
Wolf Creek 2 (2013)
British surf bum Paul is minding his own business when he’s embroiled in a nightmare of Mick Taylor’s making, stopping to rescue a girl who has escaped the bushman’s clutches for long enough to make it to the road. After she’s killed, Paul has a target on his back and Taylor will stop at nothing to reclaim his victim.
Both Wolf Creek films feature male sole survivors, although the first one has little to do with anything the guy does, and Paul is put through all the usual torture that final girls endure: Everyone he approaches for help is killed, he’s captured, strapped to a chair, tortured (by song and weapon), escapes, but does that thing where he scuppers the opportunity to finalise the killer’s exit from this mortal coil… So much for all those who say final boys would be better. And the British character lived! Whoop!
High school dork Brett receives an enchanted bull’s dick through the mail with a note saying it grants three wishes, which he eventually discovers to be true. Meanwhile, classmates of his are being picked off by a cloaked killer. Are the two connected? Duh.
The rise of the nerd theme in Wishcraft is satisfying on its own, even though Brett isn’t initially in any danger, he’s soon forced into combat with the unmasked killer and, with one wish left, ascends to hero level pretty quickly.
Poor Andy Barclay cannot rid himself of final boy duties no matter what he does. As the first human to discover the secret of possessed Good Guy doll Chucky, Andy is thus the only one who can be a vessel for the killer’s soul. After surviving round one, a new foster home cannot provide shelter in Child’s Play 2, and even a military academy provides no refuge in the third film…
Unlike Billy in Death Valley, hero duties could only go to a child in this franchise, and Vincent did extremely well with the material, even better was his cameo in Curse of Chucky. He’s at his best in Child’s Play 2 with the assistance of a teen foster sister who fulfills the legwork and screaming quota.
In The Final Chapter, Tommy Jarvis is just a monster-loving kid who has the bad luck of living by Crystal Lake and ends up – with big sister Trish – bringing down Jason who, by that point, had murdered a good 30 schmucks over the previous few days. In A New Beginning, Tommy is older, traumatised by what happened and sent to a halfway house where a hockey-masked psycho goes to task chopping up his new friends. In Jason Lives, an undecided amount of time later, Tommy returns to Crystal Lake to burn Jason’s corpse, but ends up accidentally resurrecting him and spends the rest of the movie trying to undo his error.
While Feldman as the horror-nut was a logical move to ‘end’ the series on in 1984, Thom Mathews is easily my favourite incarnation of the character, a complete 360 on Shepard’s brooding portrayal, Tommy ’86 is like a totally different guy, replete with comic timing and a touch of slapstick to his ever-doomed attempts to stop Jason.
But, in terms of final boys through history, the name Tommy Jarvis is probably at the top of the tree.