Twos-ville is a crowded suburb, but numbers dwindle a little for the Threes…
So, which is the best of the first crop? Elm Street 3 - the first slasher film I ever saw – gets my vote, followed by Psycho and Friday, with the dismal Halloween III coming in last.
A difficult era for the genre, not a lot of high-profile original material was released after circa-1987; the three big franchises even wound down as box office numbers crumbled… I digress, Prom Night III is my favoured entry here; though Slumber and Child’s Play are decent, TCM - a franchise I’ve never been wild about – doesn’t live up to the “most controversial film ever made” blurb of its poster, and the less said about Silent Night III the better.
A far-reaching group here, showing how few franchises got to numero tres at this time… Scream 3 clearly kicks the asses of the rest, though I quite enjoyed UL3. The rest are kinda sucky.
Another easy one; FD3 cleans up against uber-feeble competition from what’s technically Bloody Murder 3, and truly horrid entries in the Last Summer and Wrong Turn canons.
This could be a bit too easy…
Prom Night III is funny, but derivative of it’s neighbour here, Elm Street. Being a finalist at all should be gratifying enough for it and everybody involved. Congrats to you all, but you’re not winning.
I used to love Scream 3 more when I first saw it, but repeated viewings have scrutinised some of its evident problems. It’s still fun, but there’s a boredom emanating from the returning players, all of whom look like they’d rather be doing something else, as did Kevin Williamson, it seemed, who barely contributed a damn thing. And then they aaaall came crawling back a decade later…
Final Destination 3 largely re-booted to the original template, but did so with far more venom and disregard for its characters, who are done away with far more viciously than in any of the other entries in the series.
Thus, the winner is…
Clearly the best threequel in the slasher realm; they got everything right in this one (though it drags a little towards the end): The vein puppet, Jennifer’s “big break in TV”, and an overall great concept make Freddy the deserved winner.