Tag Archives: I want to die

The 100 Worst Slasher Films: #100-81

Following the almighty undertaking that was The 100 Greatest Slasher Films, a few people asked if there would be a list of the 100 Worst films.

I was reluctant to do this for a couple of reasons. Mainly, no matter how awful any film, somebody somewhere has put their all into it, and seeing it declared the worst thing ever wouldn’t be nice for them to read. That said, if I’ve already reviewed it and given in one star, what’s the difference, right?

Also, deciding if Drive-In Massacre is worse than Ax ‘Em is no easy task either. One film can be well made but exponentially boring, whereas the cheapest Nokia-filmed crap can at least be fun to revel in.

So, I decided to go about it differently, and take all the films I’ve seen, cross-reference them with their IMDb ratings and present the 100 Worst films according to the great unwashed.

As we will see, some things in life are unfair, while others are just destined… Hold on.

100. Fatal Pulse (1988)

IMDb rating: 3.4 out of 10
VeVo rating: 1 Stars

Sorority bimbos are being stalked by a shadowy psycho, who has the ability to cut throats with vinyl records! Bra’s are commonly slashed open first, of course. And nobody thinks to move out of the fucking house when the girl in the next room was murdered the previous night! Pure shite.

99. Blood Cult (1985)

IMDb rating: 3.4
VeVo rating: 1.5 Stars

BloodCult1Sorority bimbos are being stalked by a shadowy psycho – are we seeing a theme already!? Blood Cult is one of several films that claimed to be the first made-for-video-on-purpose. Like, who cares? It’s still total crap no matter the intentions. If you’d made a decent film, boast away… Severed fingers in a salad bowl is the ‘high’ point.

98. Small Town Folk (2007)

IMDb rating: 3.4
VeVo rating: 1.5 Stars

1.5 actually seems generous from my memory of this wretched British production. A 3-minute cameo by Leprechaun Warwick Davis cannot rescue the other 84 minutes, which is comprised of some of the most nauseating “FX” work I’ve ever seen.

97. Axe Giant: The Wrath of Paul Bunyan (2012)

IMDb rating: 3.4
VeVo rating: 2 Stars

ag1aWayward teens on one of those back-to-nature punishment weekends meander into the territory of an axe-toting giant who, uh, axes them. A SyFy-esque production, death by horrendous CGI FX is to blame. But the film does start off okay, with a few laughs to be had before the killing even begins.

96. Study Hell (2004)

IMDb rating: 3.3
VeVo rating: 1 Stars

A strange Canadian slasher take on The Breakfast Club, with five archetypes on Saturday detention tormented by their PTSD-suffering teacher, who decides to kill them all. Cheap production qualities from the same home as Dark Fields, which we will see a little later.

95. StagKnight (2007)

IMDb rating: 3.3
VeVo rating: 3 Stars

stagknight2The first one to mourn the inclusion of, StagKnight pits a group of bachelor party guys against a resurrected Templar Knight during paintball in the British countryside. Anglo-humour probably sinks this for international audiences. With a bigger budget this could have been on par with Shaun of the Dead. Boo you, IMDb voters!

94. Slaughtered (2009)

IMDb rating: 3.3
VeVo rating: 1.5 Stars

From Britain we go down under to Australia for #94, where a pub lock-in locks in a group of patrons with a psycho killer. With a budget likely no more than a round of beers and a script scribbled on the back of a beer mat, Slaughtered has very little to entice, but could be okay if you made a drinking game out of it…

93. Scar (2005)

IMDb rating: 3.3
VeVo rating: 1.5 Stars

A film so boring I can remember nothing about it beyond Dee Wallace Stone being in it. Notes tell me it’s about the ghost of a rape victim who appears and axes horny woodsmen, while two teens look for clues about the death of their friend a year earlier. I’m also reminded of how bored I was at the time i might just fall asleep at the keybocsrsth..>>aj\\%%lgvma

92. The Prey (1980)

IMDb rating: 3.3
VeVo rating: 2 Stars

prey1Our first loss from the golden era, this basic campers-in-peril flick has the guy who played Lurch in The Addams Family offing the usual bunch of over-aged teens during a hike into the woods. I didn’t find it so bad, but then I never watched it again either…

91. The Jackhammer Massacre (2003)

IMDb rating: 3.3
VeVo rating: 1 Stars

Bloke does drugs, bloke goes mad, bloke attacks various people with a jackhammer. Bloke is conveniently named Jack.

90. Heebie Jeebies (2004)

IMDb rating: 3.3
VeVo rating: 1 Stars

Not to be confused with Jeepers Creepers, this is actually an anthology with a slasher opus built around it to join up each story. A girl who can dream the future has bad premonitions about her highschool friends so does the only logical thing – invites them to a shoddy old house in the middle of nowhere. Groan.

89. Hayride (2012)

IMDb rating: 3.3
VeVo rating: 2 Stars

HAY1An average effort about an Alabama Halloween Haunted Hayride attraction crashed by an escaped lunatic who stabs his way through the actors on the big night. Low-end production values aren’t great, but there’s far worse around that this doesn’t really deserve to be in the 100 Worst.

88. Evil Breed: The Legend of Samhain (2003)

IMDb rating: 3.3
VeVo rating: 3 Stars

Another one not deserving of its place here, in spite of production problems throughout its shoot, the first half of Samhain carries pleasant echoes of Friday the 13th-era shenanigans, but begins to fall to pieces once the meat of the story, concerning Descent-like creatures eating tourists in Ireland, is underway. It’s also decked out with big name porno actors.

87. Dark Walker (2003)

IMDb rating: 3.3
VeVo rating: 2 Stars

Another Halloween attraction becomes a slaughterhouse when it’s built atop a patch of cursed ground. Like many other bad decisions, the teens employed to work at the place refuse to leave after several murders, citing that they need the cash, evidently more than they need their own head.

86. Cut (2010)

IMDb rating: 3.3
VeVo rating: 2 Stars

cut1aAs the likes of Blood Cult pride themselves on being the first made-for-video film, Cut is proud to be the first film shot entirely in one continuous take. Trivia informs us it took 36 takes to get it right, which, when you think about it would be super annoying if someone screwed up at the last second… Anyway, people in a house are tormented by clown-faced loons, and Gremlins‘ Zach Galligan is in it.

85. A Crack in the Floor (2001)

IMDb rating: 3.3
VeVo rating: 2 Stars

Three teen couples go camping in the wrong part of the woods and disturb a Jason-like hermit who lives beneath the floor of a cabin. Playing like a tribute to Friday the 13th Part III in particular, it’s innocuous stuff with that muscle guy from Saved By the Bell and Gary Busey as a deranged- Gary Busey playing himself.

84. The Cheerleader Massacre (2003)

IMDb rating: 3.3
VeVo rating: 2.5 Stars

Posing at Slumber Party Massacre IV and directed by Jim Wynorski, this features genre-fixture Brinke Stevens as the grown-up victim from the 1982 film, apparently not dead after all, and a group of cheerleaders who take shelter from a snowstorm at a cabin… By now I’m sure y’all can guess the rest.

83. Blood Reaper (2004)

IMDb rating: 3.3
VeVo rating: 1 Stars

It’s Brinke again! Though even she looks bored in this seen-it-all-before tale of campers going where they shouldn’t. 80 minutes of people meandering slowly through trees and little else. Points almost awarded for electing the plus-size girl as the heroine, but then they go and ruin that too.

82. Silent Bloodnight (2006)

IMDb rating: 3.2
VeVo rating: 1.5 Stars

silent3aIn bad-movie terms, Silent Bloodnight is a goldmine of laughter. An Austrian film where the actors (attempt to) speak English opens things up to some hilarious dialogue: “Something unexplained has happened!” wails the frightened heroine at one point. The laidback European approach means there’s full frontal nudity for BOTH genders.

81. Shadows Run Black (1981)

IMDb rating: 3.2
VeVo rating: 1 Stars

Kevin Costner’s secret shame. He only has a small red herring role in this piss poor Halloween wannabe that features a ski-masked killer doing in naked chicks who’ve dared to dabble in drugs. Misogynistic garbage. Costner’s name is suspiciously absent from the credits, which appear to be real-time typed as the credits roll.

You mentioned something about a closet…?

The-Dark-Side-of-Midnight-1984THE DARK SIDE OF MIDNIGHT

0.5 Stars  1984/89m

A.k.a. The Creeper

Director/Writer/Producer/Star/Caterer/Janitor: Wes Olsen / Cast: James Moore, Wes Olsen, Dave Bowling, Sandy Schemmel, Rocky Jackson, Susan Frawley, Dan Myers.

Body Count: 6

Laughter Lines: “He broke her neck and crushed her skull with his bare hands – we’re dealing with a psychopath.”

To understand the experience that was watching The Dark Side of Midnight would be like trying to glean from somebody what it was like to survive something truly, truly terrible. However, if you go on to the film’s IMDb page there are a couple of posts from people who were in it, one of which states that the lead actress burst into tears when she saw it, and the composer walked out of the screening, never to return.

Doling out a half-star rating is as rare as a full five stars, as it should be in the bell curve that is film appreciation, although The Dark Side of Midnight made me laugh more than a few times, there’s no way in hell I could ever give it anything more.

dsom1A girl is murdered by a fiend hiding in her closet. The police investigate. The local mayor wants stories played down in case it effects the possibility of a university being built in their small town.

Soon after, a babysitter is stalked at her job, but survives, which is more than can be said for the six-year-old boy she was looking after, who is found in his bed with his throat cut, the only gore in the entire film! A dead child.

This is what ensues when the lead detective and hotshot profiler guy go to interview her:

  • Girl: “There was a man in the closet.”
  • Detective: “What closet?”
  • Girl: “Timmy’s closet. Timmy told me there was a man living inside his closet. I didn’t believe him. There was a man in his closet.”
  • Detective: “Timmy told you that a man lived in his closet?”
  • Girl: “Yes.”

1965453The mayor, pissed that the murder of a six-year-old makes the papers, devises an evil plan to get rid of the police chief so he can frame some homeless schmuck and secure the green light for the college build: He fakes a fall saying his sister is at death’s door in Canada.

Of course, the killer, now known to be The Creeper, wanted in Detroit for twelve murders, strikes again after the arrest, then goes after the chief’s daughter, who is dating the hotshot profiler guy.

Eventually, profiler guy’s knowledge of typewriters leads him to the killer, who lives in a small scale balsa wood model house and, well, y’all know how flammable that shit is.

The Dark Side of Midnight was made for around $10,000, which reportedly came from the director, who cast himself as hotshot profiler guy, and is a pure exercise in ineptitude at every level. Local theater actors with little to no in-front-of-camera experience shout their dreadful dialogue, move their eyebrows and bob their heads a lot, amplifying every nuance in case the people at the back can’t see it – oh wait, it’s a film, not a play.

“You can’t come bursting into my office!” yells the mayor at somebody who just calmly walked through an already open door.

What else? Oh yeah, nearly everyone in the film has a mustache:

dsom-mustaches…even the killer’s rocking one!

dsom-killer…which makes it all look a bit like some gay porn film gone wrong…

dsom-gaypornVery possibly the go-to worst movie ever made, with absolutely no redeeming qualities beyond how bad it manages to be, and that sweet exchange of dialogue about the fucking closet.

Lies! So many lies!


1 Stars  1990/88m

Director: Jack Bravman / Writer: Maurice Thevenet / Cast: Fred Travalena, Gregory Calpakis, Flavia Carrozzi, Bill Saddler, Cynthia Mantel, Michael Sullivan, Glenn Scott, Brigitte-Anne Pelletier, Georges Thomas.

Body Count: 2

Laughter Lines:  “Last time I saw faces like that was on the court 51 seconds ago.”

About as misleading as anything could be, this Canadian ‘comedy’ may look like it’s about a masked loon doing in basketball players, but this takes up about 8% of the runtime. There’s a reason the film was not released in the US for almost twenty years.

Essentially a vehicle for late comedian Fred Travalena, he plays three roles: The basketball coach, a commentator named Dick Airhead, and the detective investigating attacks on the revolving captains of the Watergate High Plumbers – only two of which are fatal – a crappy team who haven’t won a game in decades.

Waterboy Stan wants a chance to play – is he the one is the basketball mask rigging equipment? Probably not. But who cares when the film is so exhaustively painful? Slasher parodies were already worn out by 1982 and Night of the Dribbler brings nothing to the table, earning that extra half-star for non-awful production values and maybe two jokes I quietly smirked at.

Blurb-of-shame: Bravman also directed the almost-as-bad Zombie Nightmare.

Taglinus accuratus


1 Stars  1982/92m

“…when Halloween night stopped being fun!”

Director/Writer: Gary Graver / Cast: Jackelyn Giroux, Peter Jason, Chris Graver, Carrie Snodgress, David Carradine, Stave Railsback, Jillian Kesner, Paul Bartel.

Body Count: 3 (!)

Laughter Lines: “These horror movies… they make me scared to drive home alone at night!”

“When Halloween night stopped being fun,” goes the tagline. Darn tootin’. Short of falling ass-first on a running power drill, I can’t think of a less fun way to spend Halloween night, or any other given night, than watching Trick or Treats.

Carrie Snodgress gets her husband carted off to an institution in the opening scene. Why? No clue, ToT doesn’t care about in-filling its plot holes. The scene is slapstick heavy, with two orderlies struggling with the flailing hubby, who tries to climb a tree at one point to escape. They all end up falling in the pool. The only thing missing was a table of cream pies.

‘Several years later’, struggling actress-cum-babysitter Linda (Giroux) accepts a Halloween night job to look after the couple’s horrible, horrible son, while Mom and her new squeeze (Carradine), head off to a party. Meanwhile, Hubby has broken out of the institute disguised as a female nurse, and is heading home to murder his wife and anyone else who gets in his way and nobody else.

Yeah that’s right, this is the slasher movie without any slashing. Hubby punches out a security guard rather than stabs him, threatens a couple of homeless guys (one of whom is horror-fixture Bartel), and eventually mistakenly kills a random blonde chick whom he mistakes for his wife.

This might sound okay, but nothing remotely resembling a threat of violence happens for well over an hour into the 92 minute film. Until then, it’s a never ending cycle of the bratty kid playing a prank on Linda, that she always falls for, and some trick or treaters coming to the door. Again. And again. And again. Until death. Your death. From boredom.

With just 15 minutes remaining, Hubby finally catches up with Linda, thinking her to be Carrie Snodgress, and chases her a bit. Although the film is so darkly turned out you may as well close your eyes and rest for all the good they’ll do you open.

A fittingly annoying twist for a fittingly annoying child in the world’s most disappointing ‘slasher’ film is the shitty icing on this cake. A cake made of the shittiest shit one might dredge up from a shit-filled canal in Shitsville, Tennessee.

Blurbs-of-interest: Carradine was in Children of the Corn VDetention (2010), and Fall Down Dead; Steve Railsback was in Deadly Games and Slash; Paul Bartel was in Killer Party. Graver later directed the equally awful Moon in Scorpio.

Suggested viewing accompaniment: Hallucinogenics


0.5 Stars  1988/72m

“Where the girls are DYING for a good time.”

Director/Writer: Stephen Tyler / Cast: Jan Jensen, Nancy Meyer, Joann Whitley, David Whitley, Danny David, Lance Descourez, Paul Amend, Rick Polizzi, Barbara Clairborne, Stephen Tyler.

Body Count: 12

Laughter Lines: “My parents would decapitate me if they ever caught me kissing a boy!”

Time passes by so quickly. Unless you’re the Righteous Brothers or find yourself sat down with The Last Slumber Party, a film so inherently dreadful in every conceivable way that there aren’t enough sublatives in the English language to illustrate just how terrible it is. It genuinely felt like I spent the whole day watching it.

Unhappy with the concept of having a frontal lobotomy, a mental patient escapes, dons a surgeons scrubs, and journeys to the family home of his doctor – who owns the world’s most hideously decorated house – where his boring daughter Linda, is to host a slumber party for her equally crap gal-pals Tracy and Chris, who hope their boyfriends will crash proceedings and repeatedly (and I mean REPEATEDLY) tell Linda that Scott will call her.

Meanwhile, the bug-eyed psycho is taking a scalpel to schmucks who cross his path and soon finds himself at the party. For a short while (although nothing in The Last Slumber Party feels anything close to short) things play out like any cheapjack film: The girls watch TV, snack, and jabber inanely, repeatedly saying “You scared the shit outta me!” to one another, even when absolutely nothing has happened.

Boys come to “scare the piss out of the girls”, which entails climbing up a ladder with a dollar store Halloween mask on. The girls barely blink the prank is so crap. Eventually, the psycho slashes a couple of throats, loitering behind victims in rooms there really is no place to hide in. The girls wonder where their boyfriends are, referring to them with a tirade of homophobic names (queer/faggot/homo, i.e. “He’s such a homo he even took the bedspread!”)

However, someone else comes along and kills one of the boys in the same manner, with virtually the same outfit on. What? He goes to slice one of the girls but is instead fatally attacked by the first killer. Chris has a random dream that people are dead. Said dream includes her standing at the front door staring out of it for like sixty seconds doing nothing. NOTHING. I am watching a girl stood in a doorway doing nothing.

Everyone else dies and when the doctor returns, he’s immediately called back to the hospital by America’s most sarcastic nurse: “He’s escaped”; “Escaped? Have you called the police?” – this is gold – “No doctor, we all thought we should call you first.”

Doc goes back to hospital and is murdered in the elevator, his body magically transported back to the house and tossed in the pool literally seconds later. Chris goes to his aid and is then mercifully slashed by the killer.


Chris gets a call from Tracy and tells her: “I had a nightmare within the nightmare!” to which Tracey responds: “I’m bored out of my skull.” You and me both, love.

They drive over to Linda’s just as Linda receives a call from the hospital informing her the psycho has escaped and she should shut all the doors. However, she picks up the phone without saying hello or identifying herself, so how the fuck does the person on the other end even know who it is or when to end the call!?

Aggressively bad. Watch for the botched throat slashings; the same shot of the killer wielding the scalpel at the camera used about a dozen times. And Chris fucking sucks as the choice for final girl, not that either of the other “I’m 37-but-can-play-17″ “actresses” would be any better, but she’s by far the worst with her shrill voice and nasty homophobic comments. The horrific thrash metal soundtrack by Firstryke (even used as some sort of plug on that VHS cover!) should’ve clued us in early on as they wail “it’s just a nightmaaaaaare!” Damn shame I didn’t wake up and find The Last Slumber Party wasn’t real either.

Now I know some of you will think “it can’t be that bad” and consider trying it. Don’t. Don’t be the fool I was. Even as a freebie on YouTube, this is 72 minutes you cannot claw back. A very possible candidate for worst horror film ever made. Ever.

The Last Slumber Party is a B & S Production. I think we can all agree what that might stand for.

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