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The 100 Worst Slasher Films: #20-1

worst-stripMy belated Christmas-slash-New Year’s gift to you is the entire countdown of IMDb’s worst ranked slasher films from the 673 I’ve enjoyed/endured.

It saddens me to think of the days spent watching some of these dreadful, dreadful films. If nothing more, I hope this list provides you with a warning of what the avoid next time you’re in the mood for a stack of dead teenagers…


See full commentary for #100-81

100. Fatal Pulse (1988)
99. Blood Cult (1985)
98. Small Town Folk (2007)
97. Axe Giant (2012)
96. Study Hell (2004)
95. StagKnight (2007)
94. Slaughtered (2009)
93. Scar (2005)
92. The Prey (1980)
91. The Jackhammer Massacre (2003)

90. Heebie Jeebies (2004)
89. Hayride (2012)
88. Evil Breed: The Legend of Samhain (2005)
87. Dark Walker (2003)
86. Cut (2010)
85. A Crack in the Floor (2000)
84. Cheerleader Massacre (2003)
83. Blood Reaper (2004)
82. Silent Bloodnight (2006)
81. Shadows Run Black (1981)

Commentary for #80-61

80. The Masque of the Red Death (1989)
79. BreadCrumbs (2011)
78. Adam & Evil (2004)
77. Kill Keith (2011)
76. The Choke (2005)
75. The Graveyard (2006)
74. The Pumpkin Karver (2006)
73. Knock Knock (2006)
72. Goodnight, God Bless (1987)
71. Camp Blood 2 (2000)

70. Drive In (2000)
69. Hatchetman (2003)
68. Switch Killer (2005)
67. A Night to Dismember (1983)
66. Texas Chainsaw Massacre: The Next Generation (1994)
65. Horror 102: Endgame (2004)
64. Scared (2001)
63. Terror at Tenkiller (1987)
62. Motorhome Massacre (2006)
61. Deranged (2012)

Commentary for #60-41

60. Bikini Girls on Ice (2009)
59. Dead Above Ground (2002)
58. Camp Blood (1999)
57. The Catcher (1997)
56. The Curse of El Charro (2005)
55. Scarecrow Gone Wild (2004)
54. Paranoid (2000)
53. The Watermen (2011)
52. Blood Sisters (1985)
51. Detention (2010)

50. Seed (2007)
49. Hollow Gate (1988)
48. Splatter University (1984)
47. Devon’s Ghost: Legend of the Bloody Boy (2005)
46. Do You Wanna Know a Secret? (2001)
45. Final Examination (2003)
44. Jolly Roger: Massacre at Cutter’s Cove (2005)
43. Snapped (2005)
42. The Retreat (2005)
41. Memorial Day (1999)

Commentary for #40-21

40. Beyond Remedy (2009)
39. Bloody Murder (1999)
38. Dr Chopper (2005)
37. Bunnyman (2010)
36. Drive In Massacre (1976)
35. The Greenskeeper (2003)
34. Dark Harvest (2004)
33. The Last Slumber Party (1988)
32. Scream (1981)
31. Zombie Island Massacre (1984)

30. Jack-O (1995)
29. Mr Ice Cream Man (1991)
28. Hazard Jack (2013)
27. Stupid Teenagers Must Die! (2007)
26. Roadside Massacre (2012)
25. The Bagman (2002)
24. Carnage Road (2000)
23. Hollywood’s New Blood (1988)
22. The Fear: Resurrection (1999)
21. Night of the Dribbler (1990)

Leaving us with the twenty worst received slasher films I’ve seen according to public opinion.

Wait no longer, fresh in at #20…

20. Blood Lake (1987)

IMDb rating: 2.6
VeVo rating: 1 Stars

Three teen couples (actually one couple are like 13) vacation at a shack by a lake, where a Dom DeLuise-a-like killer lays some of them to waste. Two of them to be exact. And maybe two or three other victims? I can’t remember, but this video-made film has poverty row stamped all over it.

19. Killjoy (2000)

IMDb rating: 2.5
VeVo rating: 1.5 Stars

killjoyUrban/ghetto slasher films feature heavily up this end of the worst list. An undercurrent of racism? Possibly, but none of the films are objectively any good. In this one, a sub-Beetlejuice vengeance demon is summoned by a dork who is repeatedly beaten up by the nasty local crew. At only 72 minutes, at least it’s over pretty quick.

18. Appointment with Fear (1986)

IMDb rating: 2.5
VeVo rating: 1 Stars

A man who has sold his soul to some Egyptian tree god kills his wife and goes after his infant son, who has been left in the care of the autistic neighbour, Heather, who has a band of purple make-up around her eyes and pretends she lives inside a jar. At a house in the desert, teens are dispatched until the evil-eyed final girl can rescue the bub and defeat the killer. Debisue Voorhees from Friday V pops in for her usual topless scene, and there’s decent use of one of those handheld satellite-hearing-from-afar thingies, but everything else blows.

17. Movie House Massacre (1984)

IMDb rating: 2.5
VeVo rating: 1.5 Stars

mhm1Teens working at a rundown old cinema where a fire killed loads of people years before are stalked and knifed by the ghost of a geriatric usher, who had murdered the ticket girl the night of the fire. Demented in every possible way, if it’s supposed to be a comedy it ain’t funny. Mary Woronov has a small role (despite top billing) as the bitchy manager’s assistant. Look out for a girl who dies from sliding down a wall!?

16. Spiker (2007)

IMDb rating: 2.4
VeVo rating: 1.5 Stars

A mute, Albino serial killer who stabs his victims with railroad spikes escapes custody and returns to his old haunt where three teen couples are having themselves a party. All usual tropes are checked off the list.

15. Scarecrow Slayer (2003)

IMDb rating: 2.4
VeVo rating: 1 Stars

The second outing of the shoddy Scarecrow series sees Tony Todd as a paranoid farmer who accidentally shoots a teenager, whose soul is transferred into the scarecrow and goes on a killing spree. By far the worst of the ‘series’, topped off with WWE wrestling between two scarecrows. One good line: “You know, you have a real small penis for a guy who’s a real big dick!”

14. Nine Lives (2002)

IMDb rating: 2.3
VeVo rating: 1.5 Stars

ninelivesParis Hilton is the first to die in this rubbish flick set in a Scottish manor house where a English-hating ghost kills off nine ex-public school friends. But Paris is American. Uh? A final boy emerges as he’s Scottish and immune to it. Painful from start to finish.

13. Dark Fields (2003)

IMDb rating: 2.3
VeVo rating: 1 Stars

Five teens on their way to a concert get car trouble and end up stuck in the house of a madman. Zero thrills in this cheap video project from the folks who later doubled the misery with Study Hell.

12. The Slaughterhouse Massacre (2005)

IMDb rating: 2.3
VeVo rating: 0.5 Stars

Two annoying couples explore an old abattoir where a man blah blah killed blah was lynched blah… Of course the loon’s name is Marty Sickle. This is the very worst – outstaying its welcome by forever, pandering to girl-on-girl filler because it’s so fucking empty.

11. Zombie Nightmare (1987)

IMDb rating: 2.2
VeVo rating: 1.5 Stars

zn5Adam West and Tia Carrere star in this demented voodoo revenge slasher, in which a be-mulleted jock is killed by a group of reckless teens in a hit and run, resurrected by the local Haitian priestess, and sets about evening the score. A bad movie dream, with totally different actors playing the zombie in various scenes, cringey acting, but a sense of inoffensive 80s stupidity.

10. Sweet Insanity (2006)

IMDb rating: 2.2
VeVo rating: 1 Stars

Girl’s parents go away for the weekend. Girl has friends over. Friends get stabbed. Cheapo Haute Tension-esque climax is confusing and the audio track is so bad it’s nearly impossible to comprehend what’s going on anyway. Retitled Stranger: A Soul Mate of Chucky for the UK, with a doll on the cover, even though there is no killer doll, no spooky doll, and no mention of dolls in the entire film.

9. Deadtime (2012)

IMDb rating: 2.2
VeVo rating: 1 Stars

dt2Another rock band stalked by another killer whilst making a video for their big comeback. The only distinguishable thing about this one is that it’s British, but this helps none, as it traipses through a bog of bad production unities and a ridiculously annoying killer.

8. Grim Weekend (2003)

IMDb rating: 2.2
VeVo rating: 1 Stars

City folk go to a cabin in the woods, picking up a sexy hitchhiker on the way, where they are tormented by a clown with an axe. Horrible production values and obnoxious characters abound.

7. Cutthroat Alley (2003)

IMDb rating: 2.1
VeVo rating: 2 Stars

The ‘black guy dies first’ cliché is flipped in this urban LA slasher: Most of the cast are black but the white guy gets the blade first. Members of a street gang are being targeted by the masked psycho just as one ex-member is about to go to college after successfully turning his life around. Can he work out who it is before he’s next? A bit more surface polish than the other ‘ghetto’ slasher films make it more bearable and not so deserving of its place here.

6. Skeleton Man (2004)

IMDb rating: 2.0
VeVo rating: 1.5 Stars

A bizarre fusion of 80s action tropes and supernatural slashings as a Delta force team are sent to South America to put a stop to the skeleton-faced figure who is killing everyone. The body count almost reaches 40, a helicopter is shot down with a bow and arrow, Michael Rooker and Casper Van Dien are in it… An unbelievable film experience.

5. Alice in Murderland (2010)

IMDb rating: 2.0
VeVo rating: 0.5 Stars

alice1Sub-cheap rubbish with sorority girls throwing a birthday party in an old abandoned something or other… Alice is 21. Her mother died exactly twenty years ago that night, aged 21. They theme the party Alice in Wonderland. The killer dresses up as one of the characters from the book. An 86-minute endurance test.

4. Dead End Road (2004)

IMDb rating: 1.9
VeVo rating: 2 Stars

A killer who bases his murders on the works of Edgar Allan Poe does in various unfortunates in this cheap, but not awful film. There’s a good twist on The Tell-Tale Heart at the beginning, a pitchfork in the face, a decapitated head churned out of the bowling ball conveyer-return thingy. It’s low end for sure, but there’s worse.

3. Voyeur.com (2000)

IMDb rating: 1.6
VeVo rating: 2 Stars

College girls are invited to live in a house and be filmed 24/7 by sleazy low-end producers. Their plans for fame are thwarted by a masked killer who does everyone in. All the usual sex, bi-curiousity, pot-smoking stuff occurs and the killer turns out to be the shy girl heroine.

2. Urban Massacre (2002)

IMDb rating: 1.6
VeVo rating: 1.5 Stars

The entourage of growing rap quintet The Supernatchrals are being offed by another clown masked killer. What it is with urban slasher movies and clowns I do not know… but this one isn’t so bad until the end where the group have the killer cornered, lean in to unmask him and then stop, look at the camera and tell us we have to wait for the sequel. What. The. Fuck.


Ax ‘Em (1992)

IMDb rating: 1.2
VeVo rating: 0.5 Stars

ax-emAn unsurprising victor, Ax ‘Em is quite deserving of its worst-of-the-worst title. Made by a talentless crew, what you can pick up about the story is a group of friends go to a house in the woods where a killer is at work, using strange metal spring things to kill folks with. Again, it tries to reverse the race suppositions by killing off the while characters and leaving about a dozen black people running around between the trees. Only a few of them die, others just vanish from the film altogether. This is less than camcorder made-a-film-on-vacation quality, it’s head-scratchingly strange, with absolutely no apparent knowledge of filmmaking on show. As someones own private film they made with friends, fine, it will give them a laugh at their ten year reunion, but to give it any kind of home video release…? Unfathomably awful, there are not enough sublatives in our language to justify how bad it is.


So there we have it… The 100 Worst. Of course, there are hordes of titles with mysteriously favourable rankings that didn’t make the list, and some that are frankly better than they may seem. Karma.

And the best, you caw, well they’re right here!




1 Stars  2008/77m

“Party till you drop DEAD.”

Director: Rex Kramer [Michael A. Hoffman] / Writers: Meghan Jones & Michael A. Hoffman / Cast: Reggie Bannister, Sarah Minnich, Joh Shumski, Leanne Vanmaulle, Erin Meyers, Ally Hartman, Renee Darmiento, Toni Buena, Rick Federman, Jeff Pride, Jeff Hayden, Christian Anderson, Linnea Quigley, Bob Farster, Curtis Taylor.

Body Count: 16

Laughter Lines: “I’ve seen enough of these slumber party slasher flicks to know what’s going on.”

Three teens at the world’s most boring party decide to play with a Ouija board while they do shots. When the girl demands the two chaps leave, she gets her throat slashed and the murder is blamed on the pizza delivery guy who stumbles in and finds the body.

Ten years later (not nine, not eleven) the usual denomination of mid-western college kids throw a slumber party. Boyfriends attempt to crash. Tits. Girl-on-girl rubbish. Horny neighbour who keeps turning up at the door. Eventually, death for the majority of them. Who is it? Who cares? Certainly not the writers.

Pitched as an homage to the Slumber Party & Sorority House Massacre franchises, the DVD cover is about as close as it gets. The rest is a no-budget dullard of a product, with characters so stupid and vacuous there’s zero sympathy for their plight, something at least most of those older films could lay claim to.

Yeah OK, it was shot with one camera over about a week, but c’mon, it’s time that girls in slasher flicks were at least as capable as their real life counterparts. Has Scream been entirely forgotten? These ARE the stupid girls Sidney Prescott refers to in her anti-slasher film rant. Boys, of course, remain clothed where it counts and are afforded largely off-camera demises.

Bannister and Quigley muddle through largely unscathed and the final girl acts quite well, but everybody else blurs into a mass of amateur-night forgettableness. A kind-of sequel, Girls Gone Dead, followed in 2012. I won’t be bothering.

Blurbs-of-interest: Bannister was also in Bloody Bloody Bible Camp; low-end horror icon Linnea Quigley can be found in Graduation Day, Silent Night Deadly Night, Fatal GamesKolobos, and Jack-O.

Disco Demon


2 Stars  1979/18/89m

“It is among you… waiting!”

A.k.a. Midnight Caller

Director/Writer: Percival Rubens / Cast: Jennifer Holmes, Cameron Mitchell, Craig Gardner, Zoli Markey, Mark Tanous, Moira Winslow, Peter J. Elliott.

Body Count: 7

Laughter Lines: “Just because I’m not married even my mother thinks I’m on the other side.”

Believe it or not – and I probably wouldn’t – this Dutch/South African production has some of the best acting I’ve ever witnessed in a slasher movie, thanks to some well crafted dialogue from writer/director Rubens (at least most of it anyway), but stalls at two stars because it’s so excruciatingly boring until the last twenty minutes, when the Halloween clichés start to come thick and fast.

Mitchell plays a detective who is “just someone who’s been gifted with ESP” investigating the kidnapping of a girl from her bedroom by a mystery killer who wears – but unfortunately rarely uses – a steel-clawed glove, and is now after pretty kindergarten teacher Holmes, whose seriously-misinformed cousin Jo is dating a slick disco bunny. Both of those two are doomed, natch.

Simply one of the weirdest flicks you will ever see; Mitchell’s character never even comes within spitting distance of Holmes, and is eventually shot dead by the kidnapped (and now dead) girl’s mother  (“did your ESP see this coming?”) and the two plots only have the killer to relate them!

The final showdown between heroine and killer is rousing enough, on the heels of her attempted escape in nothing but panties. Alas, too many boring murders (usually strangulations and asphyxiations) and the damage is done. Look for the sign to “Boobs Disco”.

Blurbs-of-interest: Cameron Mitchell was also in Valley of Death, Jack-O, Toolbox Murders, Trapped Alive, and Silent Scream.

La da dee da death


2.5 Stars  2003/12/142m

Translation: There Must Be Something

“This winter a chill will run down your spine…”

Directors: Anil V. Kumar & Anurag Bosu / Writers: Rajeev Jhaveri, Anuraag Praparna, Umesh Shukla & Sameer (song lyrics) / Cast: Tusshar, Esha Deol, Yash Tonk, Natassha, Ashay Chitre, Vrajesh Hirjee, Kusumit Sana, Rishi Kapoor, Johny Lever.

Body Count: 7

To sound like some racist asshole – I can’t tell this film and fellow Hindi slasher Sssshhh… (also from 2003) apart. I’ll make the excuse that it’s been years since I’ve seen either, but notes from the occasion suggest this is the lesser of the two projects.

As that other film, and blatant Nightmare on Elm Street rip off Mahakaal (1993), a whole lotta Kucch to Hai is recycled material from North American slasher films of the post-Scream boom. It’s a Bollywood trip down memory lane…

Beginning with an almost shot-for-shot rip-off of Jennifer Love Hewitt’s confessional dream from I Still Know What You Did Last Summer, we quickly move into flashback territory and the story of how college kids Karan and Tanya fell in love, punctuated with ear-melting pop songs and love ballads, as is prerequisite in Indian cinema, even in genres as diverse as horror.

There’s a lot of this…

All of this stuff takes an HOUR. SIXTY MINUTES. At this point, Tanya takes the blame for Karan’s exam faux pas, risking a failure for herself, and thereby prompting a group of her friends to sneak into the creepy Professor Bakshi’s home to change the grade on her paper. However, their mini-heist is interrupted when the Prof comes home and, during their escape, they find his dead, virtually mummified wife in the basement, and duly run him over with their van as they make their getaway. Three years later, the group recongregate at the wedding of two of their friends at a ski lodge and find the party crashed by a figure in a black mack who dons a curved blade.

There’s little attempt to disguise the fact that Kucch To Hai unashamedly lifts its entire plotting from the original Last Summer flick, detouring via another shot-for-shot recreation of the killer-in-the-backseat opening from Urban Legend, albeit with a slightly different outcome and the theme from Mission: Impossible replacing ‘Total Eclipse of the Heart’ as the song on the radio!!!

A scene stolen from Scream 3 sneaks in once the stalking kicks off in the last twenty minutes, with very little bloodshed and a confusing unmasking twist at the finish line. It’s a tough race as the film grinds on relentlessly towards the two-and-a-half hour mark, taking pauses from the horror for its musical interludes, and far more concerned with the developing love triangle between the main characters.

…and not much of this

Western audiences will be nothing short of aghast at the stylings, with a veritable rainbow of colour and overdramatic camera work to accentuate the drama, so it’s not possible to tell how technically good the film is compared to other exports from its home country without a good base knowledge of Indian cinema – which I don’t have.

Both dialogue and songs are subtitled, although the actors occasionally cross over into English to make their points.

Acid reflux


2 Stars  1988/82m

“Brothers to the end… the very end.”

A.k.a. A Hazing in Hell; Death Night

Director: Paul Ziller / Writer: Joyce Snyder / Cast: Todd Eastland, Shannon McMahon, Will Kempe, James Davies, Lawton Paseka, Dennis Sullivan, Michael T. Henderson, Arthur Lundquist, Steven Christopher Young, Craig Derrick, David Neal Evans, Robert Lentini, Joey Balladonna.

Body Count: 14

Laughter Lines: “Two of my friends are dead and you’re telling me to ‘sleep on it’!?”

Fraternity dickheads initiating six pledges at the same house where a hippie died in a bath of acid during Hell Week in the sixties, stir up his vengeful spirit and soon find membership in a rapid decline before next semester.

Our Freddy-lite killer, Acid Sid, is an archetypal hippie, complete with headband, slurred speech, and was the boyfriend of one of the new pledge’s mothers, setting things up for a howlingly obvious twist when we’re down to the last two kids left alive.

Not a decisively bad film, but with a forty minute wait before the killing begins, the build needs to be decent, and it’s not. Instead, it’s pumped out with frat boy antics and a five minute flashback to explain the demise of Acid Sid.

In true post-Elm Street style, Sid has a naff one-liner for each kill, while the off-the-shelf victims bring new depths to the meaning of stupid (“No, I’ll stay here – you go for help”), or jockey themselves into inescapable situations caused by much aimless wandering about the closer we get to the finale.

Some good FX work and no shortage of grue – including a cherry bomb up the ass for the spiteful ringleader – but slack pacing and understated characters who are clearly a lot older than the roles they’re playing foil any hope of making an impression.

Blurb-of-interest: Shannon McMahon was in the strikingly similar hazing-gone-wrong flick, Blood Sisters.

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