Tag Archives: what the hell!?

January Joust: Crap Killers

Despite film boxes stating otherwise, not every psycho killer can be Jason or Michael. In every trade there are crappy workers – fast food joints, education, social work… We hope that these people realise they’re just not cut out to live their dreams, y’know, like when Simon Cowell stamps all over someones ambition on The X Factor / American Idol*. It’s the same in the slasher realm. No matter how they might try, some killers are doomed to fail…

Big ol’ spoilers loiter hereabouts!

thefinalterrorTHE FINAL TERROR 1981

Killer: Eggar’s Mother

Why so crap? In spite of stalking about a dozen people round the forest for a couple of days, this bush-guised, hook-knife-handed mama only manages to off a measly five of them. Now, five isn’t that bad by comparison, but her methods are pretty crud (tin can lids on tree branches!?) and success rate worse: she can’t even slash Daryl Hannah’s throat effectively. And then she dies by walking into one of her own traps. Duh.

Cowell-ism: “At this stage in the competition, this just isn’t good enough. Do you want to be the next Leon Jackson???”


dangerousgame2aDANGEROUS GAME 1989

Killer: Officer Murphy

Why so crap? Oirish-cop-in-Australia Murphy manages to trap five teenagers in a department store for the best part of their Friday night out, even kidnaps two of them and kills a third. But that’s it. After one murder he flakes and starts blurting that he “didn’t mean it” la la la. Save it for the judge, pal! The spoiled rich teens prove more than a match for him and merrily escape while he staggers off all beaten and bruised.

Cowell-ism: “I honestly expected more from the Irish. I don’t see you as any competition for Westlife.”

*


shriek-if-you-know

SHRIEK IF YOU KNOW WHAT I DID LAST FRIDAY THE 13TH 2000

Killer: Doughy

Why so crap? Aided with gusto by the fact that the film is pretty crap on its own, the killer here, “Doughy” (…groan), fares even worse than Murphy by failing to kill anybody. He’s a wannabe. He shows up, mask, weapon, motive all ready to go and then the intended corpse goes and dies by some freak accident, i.e. fatal bee stings, a handy coronary, or more commonly by tripping over things.

Cowell-ism: “I just didn’t get it. Was it supposed to be funny?”


freak

FREAK 1997

Killer: Keller. Killer-Keller-Killer-Keller-Bo-Fella-Banana-Fo-Fannah-Fella-Keller.

Why so crap? Nine years after starting out the same way as most of these guys do, by offing his nasty mom, “catatonic” Keller-Keller-Bo-Fella escapes whilst being transported to a new hospital and cross paths with a couple of recently orphaned sisters who’re driving to their new home. He kills a grand total of two people before kidnapping the younger sister so that big sis and transport-driver-guy have to come to the rescue. Freak‘s budget is about $3.75 so they probably couldn’t afford extra victims, but the film isn’t so bad otherwise.

Cowell-ism: “Look, I can see you’re trying but this just isn’t good enough, we’re looking for a worldwide star here, the bandage look isn’t working for you.”


berserker

BERSERKER 1987

Killer: Pappy Nyquist

Why so crap? Oh just piss off 1987. What did you do for anyone? Nothing. And take your shit misogynistic horror films with you! Yeah, you too George ‘Buck’ Flower as some freakin’ Viking-bear-thing that shreds campers to death but CAN’T KILL ANY OF THE ANNOYING CAST MEMBERS, JUST THE YOUNG, NUBILE ONES AND SOME OLD PEOPLE!!!

Cowell-ism: “1987? Leona was two by then and already better than you.”

*


thewisher

THE WISHER 2002

Killer: Shane

Why so crap? Another half-assed attempt on behalf of the sappy Emo killer to suck up to horror-fixated heroine Mary by granting her wishes. Her dad dies, her mouthy friend gets her tongue cut out and then she wishes the killer slice himself up – which he does. Stupid! Stupid! Stupid!

Cowell-ism: “My only wish is that you had more talent and I was convincingly heterosexual.”


christmas_evil

YOU BETTER WATCH OUT (Christmas Evil) 1980

Killer: Harry Stadling

Why so crap? If… this… film… were… any… slower… it… would… bore… a… can… of… Red Bull… to… death… After the slowest descent into madness ever recorded on film, toy-worker Harry’s obsession with Christmas (spying on the neighbourhood kids to make sure they’re being good) spills over when he kills a work colleague who disses the season and three people outside a church who laugh at his Santa costume. Then he flies away in a van.

Cowell-ism: “All I want for Christmas is for you to go away so only I can ruin it for everyone by forcing one of my boringly inoffensive contest winners to take a cover version of a song everybody once loved to Number One after I adorn it with a children’s choir and some strings and make everyone who ever gave a shit about the sanctity of musical individuality want to kill themselves.”


WINNER LOSER: The crappest killer ‘award’ goes to Eggar’s Ma. Such opportunity, such a big cast…wasted!

Closing Cowell-ism: “Well, I’m not surprised. Leona could do this in her sleep.”

*delete appropriately to whichever one clogs up your viewing schedule.

The Day the Laughter Failed to Live, Let Alone Die. Miserably.

stanhelsingSTAN HELSING: A PARODY

1 Stars  2009/18/87m

“The most feared monsters in cinematic history have met their match…”

Director/Writer: Bo Zenga / Cast: Steve Howey, Diora Baird, Kenan Thompson, Desi Lydic, Ben Cotton, Ken Kirzinger, Leslie Nielsen.

Body Count: 1

Dire-logue: “I’d give my right arm to be ambidextrous.”


When it came out in 2000, Total Film magazine gave Scary Movie four stars! AND they said a sequel would be great. Thanks, TF, look whatcha did!

Stan Helsing is ‘from the brother-in-law’s former roommate’s dog’s previous owner of the executive producer’ of Scary Movie; that alone should be enough to secure an indictment. It stars Howey as your standard issue movie slacker-cum-stoner, Stan, who works in the videostore Schlockbuster. Are you laughing yet? On Halloween, Stan is charged with delivering some “videos” (which are, in fact, DVDs) to his boss’s mother’s house before he can party with his bud Teddy, ex-girlfriend Nadine and Teddy’s dim-witted date Mia (see Dire-logue). After they get lost, get shot at by gas station hippies and pick up a psychotic hitcher, the gang end up at Stormy Night Estates, where a fire raged ten years back, as explained by Leslie Nielsen’s waitress. Waitress. Yes, he’s in drag.

Stormy Night Estates is tormented by ‘monsters’, who are in fact crap parody renderings of famous movie villains, such as Needlehead, Fweddy, Lucky the doll, Pleatherface, Mason, and Michael Crier. Fuck. Off. Several onlookers think Stan is a descendant of Van Helsing and he and his friends spend 80 minutes running from shit joke to shit joke until they’re forced into a karaoke contest against the monsters, who perform a stupid version of YMCA.

OK, questions: why is Michael Jewish? Why is Fweddy done up like some late-80s rapper? Why is there but one murder of a non-important extra? Who green-lit this movie? It really is a train wreck of a film, made only worse when I learned that ‘Mason’ (Jesus wept…) was played by Ken Kirzinger, who played Jason – yes, Jason – in Freddy vs. Jason. Nothing in this film even flirts with being funny. Hell, it doesn’t enter the club where funny is out having a good time. It’s refused entry, kicked in the ass by security and told never to darken their doors again!

Enough with these shitty parodies, Airplane! was 30 years ago.

Blurbs-of-shame: Diora Baird was in The Texas Chainsaw Massacre: The Beginning; Ben Cotton was in Harper’s Island and Scar 3D, and The Tooth Fairy; Leslie Nielsen was, of course, Principal Hammond in Prom Night; Kirzinger was also in Wrong Turn 2. As well as being part to blame for Scary Movie, Zenga was also an exec producer on Turistas.

Sex and the Shitty

doomasylumDOOM ASYLUM

1.5 Stars  1987/79m

“It’ll send shivers up your funny bone!”

Director: Richard Friedman / Writers: Richard Friedman, Steve Menkin & Rick Marx / Cast: Patty Mullen, Ruth Collins, Kristin Davis, William Hay, Michael Rogen, Harrison White, Kenny L. Price, Dawn Alvan, Farin.

Body Count: 11

Dire-logue: “Come on Kiki, it’ll be alright…at least I think it’ll be alright.”


A long standing member on my to-see list, my buddy Ross of the fab Anchorwoman in Peril cheerily sent me his copy, I suspect dancing and cackling all the way to the post box as he finally got rid of it!

Anyway, Doom Asylum is infamous now as being the requisite resume shame for Kristin Davis, who played Charlotte York in Sex and the City – and still does so in the spin-off movies. Davis plays Jane, the big-specced know-it-all friend of Kiki, whose mom Judy died in a car accident a decade earlier that also killed Judy’s hotshot lawyer boyfriend Mitch, who then un-died on the pathology table, albeit a little too late to have prevented his face being partially cut off and killed the doctors doing the post-mortem.

Kiki and her friends – Jane, dorky Dennis, loverman Darnell and her indecisive boyfriend Mike – take a road trip out to the scene of the accident and then the institutey-hospital whatever-it-was. Why they go there is never really explained but when the titles looked like this, all hope of credibility, explanation or valuable intellectual subtext went out the window:

dooma1So far, so Slaughter High. Well, visually anyway. The kids decide to lie around in the sun outside, Kiki starts calling Mike Mom and one by one they venture into the building, which is the rehearsal space for volatile all-girl rockband Tina and the Tots. However, hurled insults between rival groups are the least of their worries when the wisecracking Mitch begins stalking and killing them one by one by one by one etc…

dooma4dooma3Doom Asylum is undeniably shite. It really is crap, further fuelling my theory that 1987 was the recipient of some kind of horror curse that rendered all slasher films made that year crud. Not so, you ponder? Watch Berserker, watch Terror at Tenkiller and Blood Lake – go on, watch them and report back!

There is some mercy in Doom Asylum‘s awareness of its ornate crapness: the killer’s comments are rubbish but Mike’s indecisive nature raises a couple of minor chuckles: “You’re in a lot of trouble, Torpedo Tits. I’m gonna get you for this. Well…maybe not me, but the cops will!” Then there’s Kristin Davis, who acts acceptably given the ‘demands’ of her role and the vile blue leotard she spends most of the movie in… She meets a gruesome death towards the end of proceedings if you’re keen to fast forward to that moment.

dooma2

Dear Lord, that’s horrendous. If she even remembers making this film, let alone owns a copy of it, I’d be staggered.

Blurbs-of-interest: director Friedman also helmed the much better Phantom of the Mall: Eric’s Revenge as well as some episodes of Friday the 13th the TV series.

ICE CREAM MAN

ice-cream-man2 Stars  1995/18/84m

“I scream, you scream, we all scream for the Ice Cream Man.”

Director: Norman Apstein / Writers: David Dobkin & Sven Davison / Cast: Clint Howard, Justin Isfield, Anndi McAfee, JoJo Adams, Mikey LeBeau, Olivia Hussey, Lee Majors II, Jan-Michael Vincent, David Warner, Karl Makinen.

Body Count: 9

Dire-logue: “You little turds are gonna learn you can’t run from the ice cream man!”


There’s an IMDb review of Ice Cream Man titled ‘I Scream, You Scream, We All Screamed when we saw Clint Howard’s face.’ Quite appropriate.

Ron’s bro is the titular tormentor, Gregory Tudor, in this strange B-flick, in which he thinks nothing of grinding up the locals – mostly parents of the kids who accurately suspect that he’s the one behind a spate of disappearances.

A quartet of plucky kids decides to investigate for themselves when one of their gang vanishes (secretly a willing captive in Gregory’s aged ice cream parlour). Meanwhile, cops Lee Majors II (!) and Jan-Michael Vincent (!!) look into Greg’s past at the Wishing Well Sanatorium and try to pin something on him. Hussey plays a kooky ex-nurse who has a garden of plastic daisies. And there’s a fat kid named ‘Tuna’.

Similarities between this and 1991’s C-flick Mr Ice Cream Man are obvious to anyone who’s seen both, though the budget and crew competence here run circles around the other film. There are also rumours that the crew of the older film sued those of the latter, which was reportedly part-financed by Converse Footwear, hence the numerous shots of trainers/sneakers throughout.

The comic trimmings don’t always work; there’s a completely extraneous and prolonged scene in the mental institution that doesn’t seem to add anything relevant to proceedings and was probably inserted to pump up the running time. Disappointingly, our fiend doesn’t murder any kids at all, settling for cops, a neighbour’s dog, and a couple of unfaithful parents instead. The idea of a murderous ice cream man could be scary if he was offing the little darlings on the block – it was freakin’ scary in serial killer flick When the Bough Breaks. Ergo, it wouldn’t be hard to make a truly scary film of this ilk, but after two botched attempts to get the scoop into the cone, I doubt anyone who try balancing a third on top…

Blurbs-of-interest: Howard had a small role as a luckless patient in The Dentist 2; Hussey was, of course, the lead in Black Christmas and also played Norman’s ma in Psycho IV: The Beginning.

Valley of the Cheapjack Franchises: SCARECROW

Call me good, call me bad, call me anything you want baby… Today, lazy will do. Yes, it’s three reviews in one hit. Why? Well, is there any point in really going into detail over a trio of films with about as many distinguishing features as Tom Sizemore’s career prospectus? Avoid thy Blockbuster bottom shelf no more – it’s the Scarecrow “trilogy”…

scarecrow

SCARECROW

2.5 Stars  2003/18/87m

“You’ve never been stalked like this…”

Director: Emmanuel Itier / Writers: Jason White, Emmanuel Itier & Bill Cunningham / Cast: Tim Young, Tiffany Shepis, Aristide Sumatra, Todd Rex, Jen Richey, John Moore, Jason Simon, Roxanna Bina, Mark Irvingsen, Belinda Gavin, Sonja Ecker.

Body Count: 17

Dire-logue: “This town…this place…evil lurks here.”


Lonely teenage dork Lester is to his school what a Rubik’s Cube is to a cow: useless. Possibly because he looks 35, he is tormented by the popular kids until be makes a friend in Sheriff’s daughter Judy, played by Pink-lite Shepis. But when Lester sees her kissing one of his bullies, he storms home and picks a fight with his mom’s trailer-trash boyfriend, who ends up strangling Lester in a nearby cornfield, beneath its scarecrow centrepiece and setting it up to look like a suicide.

A short time later, a back-flipping, wise-cracking scarecrow, now possessed by Lester’s vengeful spirit, returns to town to get his own back. Most of the murders are sloppy sickle deaths but there’s also a spade in the neck and death-by-frying-pan. Curiously, there’s only one female victim, Lester’s nasty teacher who gets a board-pointer in the head, odd considering the abundance of female characters.

The Troma-rooted production department do their best to make this outing look good and for the most part they manage to paper over the budget cracks efficiently enough, but poor acting and odious retorts from the rather piss-poor looking foe turn it all into a damp squib. All the same, it’s a cheap night out kinda deal (considering it was shot in 8 days!), which gives thanks to Dario Argento and several famous horror icons in the credits! Bless.

scarecrow2

SCARECROW SLAYER

2003/18/87m 1 Stars

“He cuts to the chase.”

Director: David Michael Latt / Writers: Bill Cunningham, David Michael Latt & Joel Newman / Cast: Tony Todd, Nicole Kingston, David Castro, Steven Schultz, Scott Carson, Todd Rex, Jessica Mattson, Elizabeth Perry, Steven Glinn, Scott Stepp.

Body Count: 17

Dire-logue: “You know, you have a real small penis for a guy who’s a real big dick!”


Scarecrow uno may have been cheap but it looks like a billion dollar project compared to its skid row follow-up, with which was shot back to back. Tony Todd – appearing purely for the paycheque, I must assume – is a nutty farmer who saw his daddy impaled on a pitchfork by a scarecrow when he was a sprog and has since guarded his own ‘crow with a frenzied grin on his face.

When two frat pledges show up with the intention of stealing it, he accidentally shoots one of them dead. Dead dude’s soul is sucked into the scarecrow and he spends the rest of the film following around his Jennifer Love Hewitt-after-bad-reconstructive-surgery girlfriend, killing randoms for no identifiable rhyme or reason. Maybe when you become a scarecrow that looks as convincing as a nine-year-old’s homemade Halloween costume the trauma is just too much to take?

Dorky Lester had motive but the scarecrow here, mercifully devoid of one-liners, has no reason to do anything it does. The other frat boy, Karl, who’s a little bit special in an eerie way, spends most of the time trying to persuade people to go back to the field and fails to react credibly to almost everything that occurs. Karl sacrifices himself and somehow becomes another scarecrow and the film ends with the two of them duking it out like two kids making a home movie tribute for their WWF fandom.

CGI gore-jobs, horrible acting and some of the most stupid characters on celluloid digital ass-rape any enjoyment out of this one, although Jessica Mattson supplies a couple of light chuckles as the ditsy girlfriend of a frat brother. But that’s it.

scarecrow3

SCARECROW GONE WILD

2.5 Stars  2004/15/88m

“He’s the death of the party!”

Director/Writer: Brian Katkin / Cast: Matthew Linhardt, Samantha Aisling, Caleb Roehrig, David Zelina, Ken Shamrock, Kristina Sheldon, Tara Platt, Jeff Rector, Lisa Robert, Travis Parker, Lindsay Douglas, Sean Flynn, Eric Forte, Steve Worley.

Body Count: 15

Dire-logue: “If I hear the words “let’s split up,” I will bitch-slap the both of you.”


The ropey plastic scarecrow returns for its third and final outing and manages to improve on the horrendous effort that was Scarecrow Slayer: a college football team initiate four new players by carting them out to a cornfield…blah blah blah…mythical killer scarecrow…blah blah…one of them lashes out…blah blah blah…slips into diabetic coma…blah…becomes the scarecrow…blah blah…

The rest of the team and their bimbo girlfriends head off to the beach for Spring Break where carnage of a pavlovian extent unfolds as the scarecrow turns up (yes… it’s a scarecrow on the beach) and sickles them all. The duo of good kids figure out that they need to bring their friend out of his coma to stop all the killin’ but for everyone else it’s just too damn late.

Like the first two films and many other cheapo efforts, the script is hampered by annoying melodramatic altercations between the testosterone-fuelled cast members (“who are you calling bitch, bitch?”) but thankfully they all die. The scarecrow even runs one of them over in a truck! The overlong finale tries to add some tension and fortunately the happily-ever-after ending is skewered in a barrage of gory violence a few (screen) weeks after the massacre (which everyone else has forgotten about).

No more Scarecrow films have turned up yet, but when you’ve sent the damn thing to a beach and had it drive a fucking pickup truck, what can you do next? Scarecrow on the Moon? Scarecrow at the Louvre? For a good scarecrow slasher film, seek out Night of the Scarecrow (not to be confused with Dark Night of the Scarecrow) or if you want something even worse than Scarecrow Slayer, try Dark Harvest.

Blurbs-of-interest: Tim Young was in Camp Blood; Belinda Gavin was in Final Examination; Mark Irvingsen was in When a Killer Calls; low-end horror queen Tiffany Shepis has also been in Bloody Murder 2: Closing Camp, Dead Scared, Home SickVictor Crowley, and had a blink-and-you’ll-miss-it role in Detour. Tara Platt was in Back Slash. Tony Todd was also in Hatchet, it’s sequel, and three Final Destination films and also iMurdersJack the Reaper, Candy Corn and Hell Fest; Brian Katkin also directed Slaughter Studios.

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